In Which I Run Into A Wall And Rethink Some Things

Since I started my experiment I’ve managed to get about 50 pages written (remember these are 50 hand-written pages), but I also ran into some trouble. One of my workshop leaders at Vermont College of Fine Arts, A. M. Jenkins, said that a novel is like a picture frame, but you as the author have to know everything that’s going on outside of the frame. Well, after 50 pages I discovered I have no idea what’s going on inside or outside of the frame.

One difficulty is that I have no idea what timeperiod I’m in. Parts of it seem to be in the 16th century, other parts are in the 18th century, and there may even be some earlier time periods stuck in there somewhere. I’m realizing I have a very tenuous grasp of history. I also decided to include some characters of various ethnicities around the Mediterranean, which just made me realize how little I know about the Mediterranean and its various cultures and history in general.

I’ve been reading an enormous tome of Mediterranean history, which is nothing if not daunting, and trying to decide how much research is necessary, whether I should start with research or start with writing and research later, etc. etc. Thankfully, I had a very helpful conversation with fellow Secret Gardener, L. Marie, in which she reminded me that I’m writing fantasy and can make things up.

So this brought about an interesting internal debate. Am I writing historical fantasy? Am I writing about an alternate universe Mediterranean? Or am I writing a Mediterranean-inspired fantasy? After some angsting, I’m leaning towards a Mediterranean-inspired fantasy. I think I will still have to read about the history and culture for inspiration, but I’m going to make things up because that’s what I’m best at.

I wonder if some of my fear and anxiety about this is an unconscious belief that making things up isn’t as legitimate. History seems so much more, well, serious and intellectual. Not like making things up for fun! Of course, I also don’t want to fall into the trap of perpetuating cultural stereotypes and hurting people. I still haven’t decided whether choosing the route of a Mediterranean-inspired fantasy isn’t at its heart an act of cowardice on my part. But it does feel safer.

What about you, readers? Do you write historical fantasy, alternate universes, or culturally-inspired fantasy? Do you do research and how much? And do you start with research or wait till after you’ve written the first draft or write and research in tandem?

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In Which I Reveal My Plans For The Summer

I disappeared again! I apologize. I’ve been dealing with some ongoing health issues and I’m still getting used to the logistics of living in a new place. Anyway, I’ve decided to buckle down this summer and write through an entire draft of my new WIP, The Island of the Moon. BUT this is also going to be an experiment for me because I’m going to try to free write the entire draft by hand. I have a binder and a bunch of looseleaf papers so I can move things around. And I’m going to make a collage for the cover because that’s how writers procrastinate.

Why do I want to free write the draft by hand? Partly because typing hurts my hands and arms and partly because I want to stop myself from fussing with language, which usually happens when I type. I want to use the binder instead of a notebook because then I can move scenes around, draft out of order, throw things out if I want to, rewrite scenes. Basically I want to give myself as much flexibility and freedom as I can. Why free writing? Because drafts intimidate me. A draft is serious business. Free writing is exploration. Once I finish the draft I have some voice recognition software I can use to type it out without hurting my hands.

I’ve never tried this before so I have no idea if it will work, but I’m excited about it. I’m also going to focus on research as much as I can. So I’ll be reading books about Spain, the Mediterranean Sea and its history and culture, myths and legends of the ocean, and whatever else comes up. One resource I’m really excited about is the website rvte.es. It’s the website for radio and television in Spain and they have a lot of documentaries and shows you can watch for free. I’m definitely going to take advantage of that.

I’ll try to keep checking in to give you an update on my progress and I might also post any interesting historical or mythological tidbits I come across. My deadline is October 1 so I have about five months. Please feel free to nag me incessantly.

The Next Big Thing

First of all, a thank you to Lyn Miller-Lachmann for tagging me in The Next Big Thing Blog Hop. You can read all about her awesome new book, Rogue, here.

I was originally going to write about my thesis, Triptych, but then this shiny new idea took over my brain so I’m going to write about that instead. You’ll just have to forgive me 🙂

What is the working title of your book?

La isla de la luna or The Island of the Moon.

Where did the idea come from for the book?

This actually started as a story that the protagonist in Triptych was writing. So it was originally a story within a story. Then it kept getting longer and more complicated and eventually became more interesting than the original novel and seduced me away from it, lol.

What genre does your book fall under?

Spanish-flavored fantasy?

What actors would you choose to play your characters in a movie rendition?

I have no idea how to answer this. Most of the Spanish actors I know are older than my protagonists. Clearly I need to watch more Spanish films.

What is the one-sentence synopsis of your book?

A young girl washes up on one of the last floating islands with the power to control the sea and meets the dangerous Crooked Man, a magician who makes her question everything she’s taken for granted: her courtiers and friends, her magic and her past.

Will your book be self-published or represented by an agency?

Hopefully when I finish this it will be represented by an agent!

How long did it take you to write the first draft of your manuscript?

I’ve only written bits and pieces so far. I’m nowhere near done yet.

What other books would you compare this story to within your genre?

This is another hard question. I haven’t seen a whole lot of Spanish-themed fantasy books. I’d say “Pan’s Labyrinth” (even though it’s obviously not a book), but the time period is all wrong.

Who or what inspired you to write this book?

I’ve been seriously needing to write some self-indulgent fantasy and this story has given me permission to do that. I’ve always been in love with the sea and dreamed of having my own island and being able to do magic. I’m also very fond of tricksy magicians. So this story rose up out of my desire to write about many of the things that excite me as a writer/reader. I actually sat down recently and brainstormed all the exciting things I could put in this book. It made me deliriously happy.

What else about your book might pique the readers interest?

I’m just going to write you a list of awesomeness to entice you. This story contains: the daughter of the sea, a shape shifting magician who collects hearts, a floating island, an Iberian lynx named Fuego, a red fox named Lucifer, a ship wreck, a curse, a troupe of traveling players, masquerade balls, and ships with black sails. Hey, there may even be pirates. We’ll see 😉

And now to tag other writers to share their Next Big Thing…

L. Marie

Sharon Van Zandt

Val Howlett